The obligatory bathtub scene feels a bit generic Sigismondi frames the emaciated curve of Davis’ hunched spine from above, as she seeks refuge in the yellow tub’s chalky water.ĭavis disintegrates convincingly from innocent lamb to disheveled victim, as the ghosts of the house (or is it the children?) escalate their terrorizing. “The Turning” contains all of the requisite elements of a haunted house yarn there are spooked horses, sleepless nights, wings of the house Kate isn’t supposed to go, and flashes of ethereal figures in mirrors. Later, he abruptly kisses her on the cheek. The subtle male aggression creeps in when Miles is found standing over Kate’s bed watching her sleep. An innocent stroll through the property’s elaborate maze is properly foreboding, and the creaks, thuds, and hushed voices of the house are eerie enough to keep Kate up at night. The jump scares come soon enough, when the ghostly image of a screaming woman flashes in a window and a mannequin snaps its own neck back into place.
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